miércoles, 27 de enero de 2021

NaLu analysis: Significant moments from the GMG arc

Original post: October, 2017

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It’s no secret that this story arc did wonders for the development of Natsu/Lucy emotional bonding. However many NaLu moments are not what we would call subtle, and some of them capitalized on fanservice. So it’s becomes a little hard to notice how NaLu scenes showcase the chemistry between the characters as well as how delusional some shallow pairings truly are

First of all we have the prelude to the arc. When Lucy recieved the news of her father’s death, Natsu and Happy were with her. Even though Lucy was effectively repressing her feelings about the whole situation, Natsu not only grasped how she possibly felt but was so depressed about it he let get away a chance to join a fight…

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…given his character has some traits of a “blood knight”, this is actually pretty impressive. It shows how much can Lucy affect Natsu even without putting effort into it, and that’s a sign of a strong emotional connection with a good chemistry

It’s also consistent with something we saw in the “Rainbow Sakura” special. To sum it up, Lucy is very excited about the prospect of going to the festival and seeing the cherry blossoms, but she gets sick the day of the Hanami festival so at the end she couldn’t go. During the party, while every FT guild member is enjoying the festival…

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…we see Natsu and Happy are the only ones who are not enjoying themselves, all because Lucy couldn’t come and she’s missing something she was dearly looking foward to

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Instead of enjoying the party like the rest of the guild, the Fire Dragon Slayer, in a very touching and quasi-romantic gesture, uproots an entire Rainbow Sakura tree just for Lucy to see. Needless to say Lucy knew who did that for her and appreciated it a lot

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So, the moment when Natsu is feeling so down about Lucy’s situation is consistent with their relationship. And it makes even more sense given Natsu can’t do much to comfort her this time and he knows it. Luckily for him, Lucy found closure and let go of the sadness she felt in the same chapter.

We can also rely on an overlooked but nice detail. This and the following NaLu moments, all happened after Lisanna’s return. So instead of trying to re-connect with his childhood friend, Natsu consitently stuck closer and closer to Lucy. Proving a remarkable emotional attachment to the blonde celestial mage.

Moving on, the next moment I’d like to highlight is the aftermath of the Lucy Vs. Flare battle. Yes, Lucy lost because they were getting cheated and she was really upset and frustrated about it. But who’s the guy who walks up to her after the battle is over? Natsu! Who both praised and comforted her. This is an important element of chemistry between characters, when one (or both them) seek to provide with emotional support

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Sadly this gets overlooked because many fans (including those who support NaLu) overhyped Juvia’s paranoid delusion of a passionate GrayLu encounter that very same night. This is was taken way too seriously by many readers, but the fact remains both Lucy and Gray completely dismissed that crazy delusion, and during that late night party Lucy stuck close to the person that comforted and supported her earlier after going through such a bad experience in the GMG

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Next moment is very controversial. When Lucy was brutally beaten by a Minerva, both Natsu and Gray catched her as she fell. Some manga readers are very familiar with the concept of “pandering”. At times an author try to please as many fandoms as possible to either sell more of their work or avoid losing their audience. Even some western writers indulge into this. However, while the FT author tried to pander shippers here, and pretty much added fuel to the shipping war that was raging on back then; he also provided something, during the following chapter, that made some people understand who was the person Lucy felt the strongest about…

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…by having her to say his name as she drifted off to sleep. Quoting Heisenberg: “Say my name”

Again, this is consistent with something we see later after the Tartaros arc; when FT disbanded Lucy spent a year tracking every single FT member. But after seeing Natsu’s return we get a very interesting narration from the manga:

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FT readers already know how the rest goes during the GMG. In their 2v2 fight, Natsu BFR’d his partner, Gajeel, so he could stomp by himself the members of the guild that brutalized Lucy.

Next moment is something similar to the first one I mentioned. Once again we know Natsu shares some traits typically found in the “Blood Knight” trope. He enjoys a good battle, and the GMG final offered many chances to fight very strong opponents. However under a series of plot-driven cirumstances, Lucy was put under arrest alongside a fellow celestial mage in the King’s castle. Natsu was so infuriated by this that his guildmates had to tie him up in order to prevent him from storming the castle to rescue Lucy

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While all the guildmates were mad about it, Natsu had the strongest emotional response and he chose to pass the chance to fight in the GMG final just to rescue Lucy

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Lucy’s reaction to this is both amusing and cute. Since she knows how much Natsu enjoys the thrill of a fight. Still, this is probably one of the smallest moments they had, as the following showings hold more significance and a greater impact.

From this point onwards the plot gets a little complicated for it introduces time-travel. A Lucy from the future comes with a warning about an invasion of dragons that will wipe most life on earth. Even though this is a fantasy setting, dragons haven’t been seen in centuries. So naturally to imagine an army of them poping out of nowhere would seem hard to believe. Yet as soon a Lucy of the future finishes with her story, Natsu is already preparing himself for the attack much to her surprise. When she questions if her comrades will believe her, Natsu reaffirm his trust and faith in Lucy.

When Future Lucy laments not having a plan to deal with the attack, Natsu comforts her reassuring her they’ll take care of the matter and in a very touching manner…

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…he expressed his gratitude for Lucy’s determination to protect their future

Makes me wonder why NaLu fans often disregard their meaningful moments for the sake of weaker premises. Style over substance is getting very old!

However, the plot gets even more complicated when we get another time traveler trying to ensure the bad future when nearly everyone dies actually happens. At first he tries to fool everyone by claiming Lucy is the one who triggers the upcoming apocalypse, when in reality she’s one of the persons who can stop it! Yet Natsu, despite being as clueless as he is, doesn’t buy the act and holds onto his trust/faith in Lucy. When the guy strikes down Future Lucy, Natsu his tears in his eyes and anger in his fist delievers this little yet meaningful line:

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The tears

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His line

Natsu stating how much Lucy means to him. This is consistent with another showing from the last arc. When Natsu thought Lucy was killed by their current enemy, he went into a berserker rage (and a new superform) in which he was killing everything that was getting in his way. Touch Lucy and you’re getting burned to a crisp

I could actually mention the next one, but given the amount of fanservice it involved I prefer to overlook it and leave it to any real NaLu fan to explain what made it a great moment aside from the “frolicking” in the nude. For now, I’m going to jump straigh to this arc’s conclusion:

As the ‘dragon apocalypse’ was prevented, we see Future Lucy reuniting with her comrades in what the chapter calls the “golden plains”, the meaning of this place as well as its placement in time and space is up to interpretation, but who’s there to recieve her. I’ll give you three guesses, the first two don’t count…

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Natsu is there and as he enthusiastically takes her to reunite with the rest of their guildmates from her own timespace, she tears up for the joy she feels. The chapter focuses on Future Lucy’s emotional response to seeing the Natsu of her timeline once again, which is consistent with the first time she sees Natsu in the present during the GMG. This effectively gives her character a closure and a happy ending. But that’s not all, back to the present Lucy experiences all the feelings her future self felt in those moments at the “golden plains” and tears up as well, acting on those feelings she runs to Natsu and hugs him from behind while the chapter closes with the following words: 

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“You don’t need a reason to cry. All you need is to feel the warmth that dwells in your chest”

A highly poetic line that conveys Lucy’s feelings in that scene. This is more than enough emotional build-up leading to a logical conclusion:

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A NaLu child XD (the other kid is a Gruvia child)

Joking aside, this arc provides with a consistent protrayal of Natsu/Lucy bonding and their solid chemistry. Something not many are able to notice, but those who do come to appreciate even more the beauty, the appeal, and the strength of their emotional connection

LuNa analysis: Romance in One Piece

Original post: January, 2017

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A) Relevance of plot and characterization AKA Unbiased Readers Vs. Delusional Shippers

“Who lives on illusions dies from disappointment” – An old Puerto Rican saying

Most of us know One Piece is a very popular manga. Its high quality and popularity depend on several factors, among them we could name memorable and likable characters along a deep, compelling, fun and action-packed story. The One Piece many know and love wouldn’t exist without the balance between these factors

When talking to at least 3 different One Piece fans, each of them non-shippers who analyzed the manga they all enjoy, I found interesting and pretty sound perspectives of the One Piece story and its nature. All of them value characters, story, development, consistency, and logic; something I can totally relate to

But I also found a pattern; these 3 guys shared one single outlook on the very same subject: shipping. Regardless of their expectations, all of them expressed distaste for shippers’ general mindset and “odd” viewpoint:

One of them called shippers out for ignoring characterization and very clear and direct statements made in the manga. His attention was centered on a Luffy pairing and how it contradicts his own character. Oda once explained that he writes Luffy as someone pretty straightforward when it comes to expressing his thoughts and feelings, and this non-shipper said with brutal honesty that for the discussed ship to happen we would need to disregard and/or discard the very core of Luffy’s character. Meaning Oda would need to stop being consistent and faithful to his own story and characters

The next one explained how shippers tend to turn a characters’ relationship into a sappy teen love fantasy that doesn’t match One Piece at all. His analysis also exposed how integrating this kind of underdeveloped “love” into the story would severely damage One Piece originality, ruin the series and needless to say destroy the likable dynamics between several characters as well as their own development. This fantasy, this so-called “love”, is what the vast majority of shippers support and defend. The same kind of “love” most non-shippers, fans, and critics dread

The third non-shipper gave me a more detailed explanation: this is even more rough than the other two as he describes that the common shipper mentality of “he/she likes her/him so they should be together” can “only be likened to that of elementary schoolers”. And how shippers take every little meaningless detail and blow it out of proportion with no regard for context, legitimate bonding or the canon story!

But we can’t put all the blame on shippers. Many manga authors seem to have no idea how to write a character-driven series or complex character relationships. In fact, mainstream shonen writers have their fair share of guilt into promoting this common shipping mindset by being notoriously bad at writing romance. Which results in underveloped premises that leave your average fan skeptical, and your average critic disappointed at a poor portrayal of emotional bonding and a severe lack of cohesive narrative in the “romantic love” department

This is the reason why many fans, critics and non-shippers hold the shippers’ perspective in a very low regard. Just like the third non-shipper states: “The blushing, longing stares, corny ass lines etc. That kind of poorly portrayed romance is the kind of thing dreaded by the average fan because it reduces the quality of One Piece to the level of such poorly written series”

So an author needs to build a relationship the same way one person would construct a building: stablishing a strong foundation on companionship, respect, trust, signifcant moments, and emotional bonding. All of this must come before reaching the status of “romantic interest". In relation to this subject, there’s a trope called “First Girl Wins”, a portion of its description truly fits this criteria:

“From a [extradiegetic] point of view, the Law of Conservation of Detail suggests introducing the Love Interest early. An early introduction allows you to get the audience interested in her and rooting for her, gives you space for Character Development, and gives her relationship with her (eventual) partner the most time to develop organically. And with all that said, it’s such a common device that in all likelihood, it sometimes gets played for its own sake.” – tvtropes.org, 2017

Notice this isn’t a cliché, this is a literary device to enhance the story. Pairing up two characters without meaningful moments, emotional build-up and development, is the equivalent to lazy writing. Having such elements firmly stablished for two characters and then deciding to go for a different “route”, pretty much wasting a well-developed relationship for the sake of a “weaker” premise, would be the equivalent to bad writing

Is Oda, the man who’s willing to die for One Piece, a lazy writer? Of course not! Is he, a man who planned the ending years ago and is still sticking to said ending, a bad writer? Being number 1 in Japan and having such a loyal fanbase all around the world prove he’s not!

Do shippers want Oda to be a lazy/bad writer? Facts already answered this question as many (although not all) fans value their own fantasies and delusions over the manga canon and/or the author’s take on the characters and their relationships

Many (but not all) shippers now have a war. Not only against rival ships but mainly against One Piece story and consistent development. Yet as the old saying goes, those who live on delusions will have to eventually face reality and disappointment, because Oda is not a lazy/bad writer like some people here would want him to be

B) Romance Dawn AKA The not so secret origins of One Piece

“If we don’t know where we are going, it can be helpful to know where we come from” – Jostein Gaarder

When debating posible outcomes, fans rarely look back at the time when One Piecewas a still a work in progress. Taking a look at Romance Dawn V.1 and Romance Dawn V.2 helps us to see there are constants present in all versions of these Works that made it into what would later become the most popular manga in Japan

But before discussing those constants I would like to clarify the meaning of the word: “Romance”. There are people who doesn’t really grasp the concept of “Romance” both One Piece and Oda work with. Luckily the first two non-shippers I meantioned shed some light on this subject:

Romance:

“A mysterious or fascinating quality or appeal, as of something adventurous, heroic, or strangely beautiful
“A long fictitious tale of heroes and extraordinary or mysterious events, usually set in a distant time or place”
“A narrative in verse or prose, written in a vernacular language in the Middle Ages, dealing with strange and exciting adventures of chivalrous heroes

– thefreedictionary.com, 2016

“A prose narrative treating imaginary characters involved in events remote in time or place and usually heroic, adventurous, or mysterious
–  Merriam Webster, 2016

Romantic:

“Marked by the imaginative or emotional appeal of what is heroic, adventurous, remote, mysterious, or idealized
“Having an inclination for romance: responsive to the appeal of what is idealized, heroic, or adventurous

–  Merriam Webster, 2016

These definitions match pretty well One Piece and Oda outlook on this concept. Even Oda lampshaped this by giving his own translation to the title: 冒険の夜明け (“Bōken no Yoake”, “Dawn of the Adventure”)

So Oda’s “romance” covers a wide variety of themes: Adventure, heroism, mystery, virtue, idealism… we can find comedy and tragedy, happiness and sadness. And among the virtues and the idealism we find companionship and love. As the second non-shipper I mentioned explained One Piece is pretty much like an “Adventure novel”, which is why we’ll find in One Piece many of the tropes commonly used in those books

Among those tropes, we find a couple of constants in all versions of “Romance Dawn”

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The golden-hearted protagonist and the “First Girl” who doubles as a female lead. Think about this “what if” scenario: If things would’ve played different back then and One Piece never went beyond “Romance Dawn V.1”. If that story were to be elaborated futher, which two characters would had shared the most moments to become endgame? The answer is pretty simple: The golden-hearted protagonist and the female lead!

But when debating, the weight of the argument depends on edvidence so we need to rely on what we can confirm. And we confirm this, what’s the constant in Luffy’s story in all versions of Romance Dawn? a Nami-like character

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This becomes even more interesting when we discover that at an interview at “Manga no Chikara” and others, Nami was supposed to be the first one to join Luffy but her debut was postponed by Oda’s editor at that time. Edvidence of this being a last minute decision remains on the first color cover:

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Yet as the second non-shipper noted: “her role as secondary protagonist was not altered” for “Nami shares with Luffy the largest character development in the entire series”. And as explained here we already know how the trope goes when someone seeks to write a natural growth for an emotional connection between two characters 

In fact, the relevance of Nami to Luffy’s story is implied in what Oda himself said about Strong World: “I really wanted to make a ‘hero saves the heroine’ story (ヒロインを助けるヒーローを描きたい the japanese sentence). [….]. You might think otherwise, but I had no intention of bringing in someone new to fill that [heroine] role. So when I had to think about whom to use for it amongst the straw hats of course that meant Nami

In Oda’s mind, Luffy is the hero and Nami is the heorine! We can tell that the hero and the heroine are meant to be the driving forces of the series, and therefore putting them together makes the most sense from a storytelling perspective

C) LuffyxNami AKA LuNa/LuNami

“Logical consequences are the scarecrows of fools and the beacons of wise men” – Thomas Huxley

Many shippers tend to ignore and disregard the importance of staying faithful to the canon story, and the author’s take on the characters and their relationships

To makes matters worst some of them even deem as illogical any argument solidly based on these factors. While considering stuff like lines, frogs, sweat, fire, nonexistent sexual tension, assumption of sexuality, and even assumptions of pregnancy, as legitimate proofs of a plausible outcome! In fact they even value comparisons to other series with a different tone, themes, and characters over anything that the One Piece author conveys through his work

There’s even people who goes as far as editing the wiki as if that would change the story to match their preferred pairing!

But in order to reach a conclusion that remains true to One Piece and its nature we have to rely on the very same foundation that was already described several times: mutual trust/respect, faith on one another, significant moments, stress in their relationship and emotional development. If the story doesn’t let you build your premises on these elements, the conclusion you’ll reach will obviously be flawed and stray away from what One Piece really is

So here I’m not only defending the premise I strongly support; I’m defending the very same story and build-up that contributes to this bond’s natural growth:

As explained before there’s nothing explicitly romantic about major interactions. But given we’re dealing with a good and dilligent writer, what we’ll get to see is how big to small moments stablish an emotional connection between two characters, and how that becomes the base for a even greater growth

First we have the themes of trust and faith: At first Nami doesn’t trust Luffy very much, out of her clear distate for pirates, until witnessing how far was Luffy willing to go to selflessly help others. Even then Nami treated their relationship as a mere business and later betrayed the crew

Still Luffy always trusted Nami to the point of putting blind faith in her. Even when given reasons not to do so. One remarkable example is when Luffy was informed by someone trustworthy (Johnny) that Nami apparently “killed” to Usopp, and Luffy not only kept holding onto his blind faith in Nami but he also threatened Johnny for saying such things about her

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This becomes something remarkable when we take into consideration that Zoro quickly gave up on Nami and later tried to attack her without even a second thought! While Usopp just wanted  the Merry back…

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And it would later become even more impressive in the Whiskey Peak Arc when Luffy came to doubt Zoro because of the words of wounded man he didn’t even know, and even doubted Robin during Water 7 until Nami told him and the crew the truth behind Robin’s desertion:

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But what else makes this situation with Nami any different from others we see in the manga? Some might point to the saga where rescuing Robin was the primary objective; but in Robin’s case Luffy knew her life was in danger for Robin was planning to die for the crew, and he got the resolve to save her only after learning the truth. Others might point to the current arc, but he saw right through Sanji’s act and got desperate to rescue him only after hearing his life is in danger.

Here, Nami’s life wasn’t in danger as far as Luffy knew. And he constantly try to reach out to her despite her harsh attitude and the fact he knew next to nothing about her past and her current circumstances. It was only when he saw her cry he got enough motivation to beat Arlong, and it was only when he got a small glimpse of what she went through that he lost it!

How does Nami respond to this? Initially she wanted to get Luffy out of her villaje and her life. While Nami indeed grew fond of Luffy and the others she wasn’t willing to bond with any of them; she held on her distrust of others. But that changed when she finally hitted her lowest point, when she finally lost all hope. Then it comes Nami’s first major development as character: she realized she needed to rely on someone else, she realized Luffy was her only hope Nami decided to rely on him. The following scene marks the first time of many when Nami relied on Luffy to a emotional level. And the first of two times when Luffy entrusted his treasure to her in a touching gesture to provide comfort and hope:
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From the very beginning the emotional build-up between Luffy and Nami was a key factor for one of the most meaningful and memorable moments in One Piece. The moment when Luffy becomes Nami’s “emotional anchor”

The effect Luffy had on her character was also quite powerful as we could see during the 2nd pass of the hat: back then at Skypiea arc Nami could still panic at dreadful situations: 

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But as soon as Luffy gave her his treasure, the panic stopped and when he was later removed from the battle field, Nami was capable of drawing enough courage from Luffy to face the big bad from that arc:

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Not to mention Luffy’s final move against Enel was combined effort of the two as well as an impressive display of mutual trust/faith

We can continue to appreciate their development even futher as the story goes on. As someone already pointed out, Nami during Water 7 displayed an impressive resolve and determination, but as soon as she got the chance to explain Luffy their situation she opened her heart to express how she felt, her anguish and her distress. When Luffy reassures her that he will save Robin, she doesn’t cry anymore until she reunites with Robin

Their bonding is even futher explored in the only One Piece movie fully written by Oda: Strong World. As this is the author’s take on their relationship is still a valid argument to support Luffy/Nami development:

We already considered how impressive Luffy’s blind faith in Nami can be. So after listening to most of Nami’s recorded message, Luffy gets enraged! Why?

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Well, after all that time Luffy relied on his navigator without ever doubting her. He was likely expecting all his trust and faith in Nami to be reciprocated

Turns out Nami does return that feeling! And why can we say that? Remember the movie’s ending: Nami finds out everyone in the crew got her hidden “save me” at the end of her message… everyone but Luffy. Then when Luffy is about to play the recorded proof of Nami’s unwavering faith in him, what does she do? She tries to get rid of the “edvidence” out of embarrassment 

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It’s easy to see then why Nami seeked out Luffy for hope and comfort during Zou. And how she did something similar to what happened in Water 7: she opened up to Luffy

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I said it before, since Luffy is Nami’s “emotional anchor”, it makes sense for her to keep strengthening her bond with Luffy. And given Luffy needs a guide to new adventures and someone “mature” enough to sometimes keep him in line, it makes sense for Luffy to grow closer to Nami

She once summed it up pretty well: “He always talks big, but when it comes down to it, he knows nothing about the sea! He’s severely lacking in the ‘sense of danger’ area! And he always overdoes it…if I left him alone, he’d die. And he’s stupid, so I have to take care of him. That’s why I’m gonna help him!” - Nami, chapter 596

Still, none of this is explicitly romantic in the traditional sense of the word. But just like someone who’s constructing a building, we start dealing with the foundations to then proceed to make a solid structure: a well-written relationship that enhances the story

As someone once reviewed, Luffy and Nami dynamic doesn’t need to change for them to become endgame for they already have anything they need to finish that “building”. And that’s what’s being a potent pairing means: having everything to your favor for further development and growth. Luffy and Nami definitively have the major moments and the emotional bonding while remaining consistent to the One Piece canon to be considered a Potent Pairing

jueves, 21 de enero de 2021

Welcome to the LuNa/NaLu blog!

Hello, Warlordgab here

You may know me from Narutoforums, Narutouchiha, Orojackson, Tumblr, and/or Twitter. I started this blog with the intent to share all the LuNa and NaLu material I've been able to gather and research for several years.

What's LuNa and NaLu?

LuNa would the pairing involving Luffy and Nami from One Piece. While NaLu refers to Natsu and Lucy from Fairy Tail. While neither of them are canon (by the time this blog started), they're still potent pairings with every element needed for a relationship upgrade.

This blog will feature analyses and posts meant to either explain these bonds in the context of the authors' works, or from a storytelling perspective, by means of logic, reason, and evidence. Hopefully, this blog may help readers and anime fans to appreciate the beautifully crafted bonds and development of both LuNa and NaLu

While, I'm the one starting it, I plan to include the works and input of other One Piece and/or Fairy Tail fans that may like to support and/or defend these premises. So, if you'd like to contribute to this blog, you're welcome to do so. All I ask is for consistency and coherence

I hope you enjoy this ride

NaLu analysis: if he wasn't there...